Wednesday, 27 November 2013

The influence of Saul Bass


Saul Bass was an American graphic designer and Academy Award winning filmmaker, best known for his design of motion picture title sequences, film posters, and corporate logos.
During his 40-year career Bass worked for some of Hollywood's most recognized filmmakers, including Alfred Hitchcock, Otto Preminger, Billy Wilder, Stanley Kubrick and Martin Scorsese. Among his most famous title sequences include the animated paper cut-out of a heroin addict's arm for Preminger's The Man with the Golden Arm, the credits racing around what eventually becomes a high-angle shot of a skyscraper in Hitchcock's North by Northwest, and the configured text that races together and apart in Psycho.
Saul Bass designed some of the most iconic motion movie posters off all time, including that of The shinning, Such good friends and The fixer, all of which intrigue the audience into learning more about the picture. Here are some of the sketches Bass created whilst working on the hit motion film, The shinning...


 Saul Bass has influenced me to conduct some masterful opening title sequences and movie posters of my own which i can use to better my understanding of film as well as genre. The life of Saul Bass has influenced millions worldwide with his unique take on film and his genius representations, which will help me during the course of my media studies.

1 comment:

  1. OVERALL FEEDBACK
    You could potentially be working at a B grade for your planning (planning =20, film = 60, evaluation = 20) but for this you would need to be up to date with all the posts. See the list below and the comments made on each of your post to show how to improve:
    P1 - Genre - general
    P2 Genre - why we categorise films
    P3 - How genres change
    P4 Hybrid genres
    P5 - Sub genres
    P5b- Moodboard on conventions of a thriller
    P5c Genre typcasting of stars (must do thriller)
    P6 Narrative
    P7 Narrative Theory
    P7b Time in narrative
    P7C Applying the 3 act structure to thriller
    P8 Audiences
    P9 Audience research
    P10 Film Ratings
    P11 Representation of men (relate to Thriller)
    P12 Representation of women (relate to thriller)
    P13 Audience Positioning (using Padlet)
    P14 Audience Institutions
    P15 Synergy
    P15 Film Distribution
    P16 Film Marketing
    P17 Independent vs Hollywood
    P18 History of opening sequences
    P19 Conventions of opening sequences
    P20-22 Textual analysis of 3 opening sequences
    P23 Analyse type faces-colour, positioning, movement, relate to genre
    P24 Layering of sound - Record sound onto phone and narrative over - put on Soundcloud and embed on post
    P25 Re-creating a Thriller opening sequence
    P26 Continuity Editing - students have taken own photos
    P27 Timelines of credits in opening sequences

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